Rolling Up the Carpet #10 (WIP 4)

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I think it was worth the risk of repainting the sky. I exaggerated the perspective by bowing rows down in the middle, and the big clouds are bigger and lower with less little distant clouds.

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The outline shows the placement of the old clouds, which was too evenly spaced, and the rows were straight across. I’m trying to learn to orchestrate the sky, which can get a bit messy. After this, if I’m unsure I will be more at ease to rework my paintings.

Here is a link to the old: http://dailywip.com/2015/05/14/rolling-up-the-carpet-10-wip-12/

Rolling Up the Carpet #10 (WIP 1&2)

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I was in the mood to do a panorama, which works well in the plains, and maybe I’ll use it for my facebook bkgd panel? 7×14″ gallery edge canvas.

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Here is my sketch before I painted over it.

Rolling Up the Carpet #9 (Actual Final)

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Veil of humidity in “Rolling Up the Carpet #9”

At the horizon this picture needed something. It is commonly accepted that at the horizon there should be a fall off of colors, a veil of humidity to some degree, whether it is really there or not to add perspective and mood. I didn’t subdue the trees in the shelter belt enough. Here in the Northern Midwest, we don’t see it very often, and it was not present here, but I feel the effect should be added. The whole picture shouldn’t have the same intensity.
Just about everytime I’ve done Plein Air Painting, I’ve had to improvise on this effect. Our air is very clear! If I went southeast this wouldn’t be a problem.

Rolling Up the Carpet #9 (WIP 2)

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Today I put the foreground in on this painting. Slopped on as much paint as I could!

8×10″ stretched canvas with gallery edges.

Rolling Up the Carpet #9 (WIP 1)

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“Rolling Up the Carpet” is the name I give for paintings of hay bails, although the sky is always of big interest to me in pictures of the plains. From our house we have a wide open view of the Southern sky. I’m especially watchful when thunderheads are developing.
8×10″ stretched canvas with gallery edges.

A Kind of Palette Knife

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I played with a new tool today! It falls between a palette knife and a brush. They are most similar to painting with a spatchella. They are called Mini Blades. They have a little bit of a lighter touch than a palette knife.

I’m satisfied with the outcome, but look forward to practicing with them more and doing a bigger painting. A nice heavy bodied paint is best.

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They’re used like a palette knife, but have more give. Apply or move paint from the top, side, and back of the blade. The edge is not actually like a blade it’s very blunt and flexible.

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The full name of the product is Princeton Catalyst Mini Blades. Dick Blick sells them.
If you are interested in palette knife painting, I highly reccomend them.